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Amazon.com
Apart from the inherent clarity and richness of its black-and-white VistaVision–a wonderful format–The Lonely Man could be mistaken for a mediocre “adult Western” episode from ’50s TV. The sets look like sets, not living spaces, and people trade ponderous, pause-laden dialogue instead of talking. Jack Palance plays an ex-gunslinger–a papier-mâché death’s head–trying to reconnect with son Anthony Perkins, who’s grown up (or not grown up) hating him. Meanwhile, gambler Neville Brand, once shot by Palance, waits for henchman Elisha Cook to pick up Palance’s trail so other henchman Lee Van Cleef can kill him (got that?). The backstory is so weakly imagined, and the scenes so wanly directed, we have no idea how many years of history the characters have shared, or how many miles separate them as they move toward showdown. Elaine Aiken, a curiously hard-faced blonde “introduced” here, was scarcely seen on screen again. –Richard T. Jameson
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