The Hotel New Hampshire

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From Academy AwardĂ‚(r)-winning* director Tony Richardson (Tom Jones) comes this “bright, amusing and provocative” (The Hollywood Reporter) film based on John Irving’s best-selling novel. Featuring “a gifted cast” (LA Herald-Examiner), including OscarĂ‚(r)** winner Jodie Foster (The Silence of the Lambs), Rob Lowe (“The West Wing”) and Beau Bridges (The Fabulous Baker Boys), The Hotel New Hampshire is “intriguing” (Boxoffice), “impressive” (LA Herald-Examiner) and “fascinating” (Variety)! A motley clan of eight lovable misfits, the Berry family sets out on an adventure to fulfill their father’s lifelong aspiration of owning a hotel. Their quest takes them around the world, and they greet every new location with their own brand of outrageous humor, practical jokes and just plain weird eccentricism. But when this tribe of oddballs encounters a healthy dose of heartbreak, they soon must learn that not all in life is fun and games and that sometimes the only thing you have left is the one thing that matters most family. *1963: Best Picture, Director **1991: Actress, The Silenceof the Lambs; 1988: Actress, The Accused

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Tony Richardson’s adaptation of The Hotel New Hampshire proves that the unique qualities of John Irving’s fiction are accessible in print and elusive on screen. (Not surprisingly, Irving’s books were not truly successful as films until Irving himself adapted The Cider House Rules, although some viewers will prefer The World According to Garp.) Here, Richardson distills the essence of Irving but misses the author’s dominant themes; the result is a film that follows Irving closely and understands its characters without ever giving them complete and coherent personalities. Without that essential ingredient, this film–about the exploits of a highly eccentric and dysfunctional family–grows thin and repetitious. We’re left to enjoy the quirks of a fine ensemble cast, and the resilience of a family that has learned to survive by “passing open windows” (in other words, avoiding suicide no matter how tempting).

Beau Bridges is the Berry family patriarch and resident free spirit of the Hotel New Hampshire, where his children thrive on liberal parenting, a parade of unusual patrons, and their own lust for life, love, and–in the case of incestuous siblings John (Rob Lowe) and Frannie (Jodie Foster)–each other. Their coming-of-age tales are often a joy to behold, and Richardson draws some excellent performances from his young, stellar cast. What’s missing here is a sense of deeper meaning and resonance; the film seems oddly random, while Irving’s book clearly conveys an affectionate fascination with the tenacity of the human spirit. –Jeff Shannon

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