Lonely Hearts

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John Travolta, James Gandolfini, Salma Hayek, Jared Leto and Laura Dern star in this crime-thriller, based on a true story. Two homicide detectives track down Martha Beck and Raymond Martinez Fernandez, a murderous pair known as the “Lonely Hearts Killers” who lured their victims through personal ads in newspapers. Martha Beck (Hayek) and Raymond Fernandez (Leto) were America’s notorious “Lonely Hearts Killers.” Their lethal scam was simple; they would swindle and then viciously murder lovelorn war widows who would answer their personal ads in which Ray would describe himself as a sexy Latin Lover. Ironically, Ray’s initial introduction to Martha was as a prospective mark. But when they met, it was love at first sight, perhaps as a result of their penchant for kinky sex and their mutual love for duplicity and easy money. With Martha posing as Ray’s sister, they bilked elderly spinsters and widows of their savings and then viciously murdered them in a bloodbath of sexual frenzy. When

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Love ’em and leave ’em–dead. That’s the unstated but unmistakable motto of the predatory duo in Lonely Hearts, an affecting entry into the neo-noir landscape, with a twist: it’s based on a true story. The all-star cast is led by John Travolta as detective Elmer Robinson, a dedicated cop haunted by the unexplained suicide of his wife. Travolta and his partner, played with blue-collar bravado by James Gandolfini, are old-style gumshoes who wear their characters as believably as they do their tattered fedoras. Travolta, particularly, wears his anguish on his tweedy sleeve, and underplays what could have been a scenery-chewing role. In the cops’ crosshairs: evil lovebirds Martha Beck (Salma Hayek) and Ray Fernandez (Jared Leto), who prey on single women in “lonely hearts” advertisements, bilk them of their money, and! murder them–as much as a way to prove their twisted love for each other as for the financial gain.

The film is uniformly well acted, and transports the viewer to a simpler America that nonetheless echoes modern-day internet dating and the perils that can accompany too much trust. Leto downplays his pretty-boy looks to become believable as the oily and unhinged Ray, and the gorgeous Hayek is made up to a fare-thee-well.

Director Todd Robinson is the grandson of the real-life Elmer, and did the film as an homage to the case that consumed his grandfather. The making-of featurette is in some ways even more compelling than the feature, because of the moving interviews with the younger Robinson and his memories of his grandfather, and footage and news clips of the real-life Martha and Ray. There’s plenty of fodder here for true-crime fans, and anyone who wants to savor a good shudder. –A.T. Hurley

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